Archive for February, 2010

Canon BP-511a Li-ion Rechargeable Battery Pack + 16GB CF Card + Accessory Kit for EOS 50D, 40D, 30D, 20D, 10D & 5D Digital SLR Cameras

Sunday, February 28th, 2010

Canon BP-511a Li-ion Rechargeable Battery Pack + 16GB CF Card + Accessory Kit for EOS 50D, 40D, 30D, 20D, 10D & 5D Digital SLR Cameras Review

Canon BP-511a Li-ion Rechargeable Battery Pack + 16GB CF Card + Accessory Kit for EOS 50D, 40D, 30D, 20D, 10D & 5D Digital SLR Cameras Feature

  • KIT INCLUDES 5 PRODUCTS — All Brand New Items with all Manufacturer-supplied Accessories + Full USA Warranties:
  • Canon BP-511a Li-Ion Rechargeable Battery Pack PLUS +
  • Transcend 16GB 133x Ultra Speed CompactFlash Card +
  • Precision Design Memory Card Storage Wallet +
  • Precision Design Deluxe 6 Piece Lens & Digital SLR Cleaning Kit + LensPen Lens Cleaning System

Canon BP-511a Li-ion Rechargeable Battery Pack + 16GB CF Card + Accessory Kit for EOS 50D, 40D, 30D, 20D, 10D & 5D Digital SLR Cameras Overview

Kit includes:
♦ 1) Canon BP-511a Li-Ion Rechargeable Battery Pack
♦ 2) Transcend 16GB 133x Ultra Speed CompactFlash Card
♦ 3) Precision Design Memory Card Storage Wallet
♦ 4) Precision Design Deluxe 6 Piece Lens & Digital SLR Cleaning Kit
♦ 5) LensPen Lens Cleaning System

Increase your shooting capacity with this powerful Canon Brand (OEM) BP-511a Lithium-ion rechargeable battery. Providing an extra 1390mAh of power, this spare BP-511a will not put constraints on how you want to shoot.

Take more high-resolution pictures faster with this Ultra-Speed 16GB CompactFlash (CF) memory card.

Keep multiple memory cards protected and organized with this durable storage wallet.

This 6-piece cleaning kit contains everything you’ll ever need to properly clean your lenses, including a Hurricane Air Blower, Lens Cleaning Tissues, Lens Cloth, Lens Cleaning Liquid, Brush and Cotton Swabs.

The LensPen is one of the most invaluable accessories a photographer can own. Its unique design makes cleaning your lens fast, simple and effective. On one end, a retractable soft brush sweeps dust and loose particles away from the glass. On the other end, a special dry cleaning compound is used to gently remove fingerprints and spots.

Canon BP-511a Li-ion Rechargeable Battery Pack + 16GB CF Card + Accessory Kit for EOS 50D, 40D, 30D, 20D, 10D & 5D Digital SLR Cameras Specifications

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Feb 28, 2010 09:20:05

Nikon D90 Digital SLR Camera Dental Kit - Basic Version - with Sigma 105/2.8 Macro Lens, Sigma EM-140 DG Macro Flash, EN-EL3e Type Battery, AA NiMH Batteries w/Charger, 8GB SD Memory Card, Card Reader, Backpack / Shoulder Bag

Saturday, February 27th, 2010

Nikon D90 Digital SLR Camera Dental Kit - Basic Version - with Sigma 105/2.8 Macro Lens, Sigma EM-140 DG Macro Flash, EN-EL3e Type Battery, AA NiMH Batteries w/Charger, 8GB SD Memory Card, Card Reader, Backpack / Shoulder Bag Review

Nikon D90 Digital SLR Camera Dental Kit - Basic Version - with Sigma 105/2.8 Macro Lens, Sigma EM-140 DG Macro Flash, EN-EL3e Type Battery, AA NiMH Batteries w/Charger, 8GB SD Memory Card, Card Reader, Backpack / Shoulder Bag Feature

  • 12.3-megapixel DX-format CMOS imaging sensor: Coupled with Nikon’s EXPEED image processing technologies and NIKKOR optics, breathtaking image fidelity is assured
  • Continuous shooting as fast as 4.5 frames-per-second: Combined with fast 0.15ms power-up and split-second 65ms shooting lag, dramatic action and decisive moments are captured easily
  • D-Movie Mode-Cinematic 24fps HD with sound: Record cinematic-quality movie clips at up to 720p HD (1280 x 720 pixels) in Motion JPEG format, enhanced by NIKKOR interchangeable lens quality and versatility
  • Low noise ISO sensitivity from 200 to 3200: High signal-to-noise components and design deliver exceptional performance, even at high ISO setting
  • 3-inch super-density 920,000-dot color LCD monitor: High resolution, 170-degree wide-angle viewing guarantees confident image review and movie playback

Nikon D90 Digital SLR Camera Dental Kit - Basic Version - with Sigma 105/2.8 Macro Lens, Sigma EM-140 DG Macro Flash, EN-EL3e Type Battery, AA NiMH Batteries w/Charger, 8GB SD Memory Card, Card Reader, Backpack / Shoulder Bag Overview

The Nikon D90 is a 12.3-megapixel DX-format camera. Fusing 12.3-megapixel image quality inherited from the award-winning D300 with ground breaking features, the D90’s breathtaking, low-noise image quality is further advanced with EXPEED image processing. Split-second shutter response and continuous shooting at up to 4.5 frames-per-second provide the power to capture fast action and precise moments perfectly, while Nikon’s exclusive Scene Recognition System contributes to faster 11-area autofocus performance, finer white balance detection and more. The D90 delivers the control passionate photographers demand, utilizing comprehensive exposure functions and the intelligence of 3D Color Matrix Metering II. Stunning results come to life on a 3-inch 920,000-dot color LCD monitor, providing accurate image review, Live View composition and brilliant playback of the D90’s cinematic-quality 24-fps HD D-Movie mode

Nikon D90 Digital SLR Camera Dental Kit - Basic Version - with Sigma 105/2.8 Macro Lens, Sigma EM-140 DG Macro Flash, EN-EL3e Type Battery, AA NiMH Batteries w/Charger, 8GB SD Memory Card, Card Reader, Backpack / Shoulder Bag Specifications

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Feb 27, 2010 09:15:05

Tamron AF 17-50mm F/2.8 XR Di-II LD SP ZL Aspherical (IF) Zoom Lens for Canon Digital SLR Cameras

Friday, February 26th, 2010

Tamron AF 17-50mm F/2.8 XR Di-II LD SP ZL Aspherical (IF) Zoom Lens for Canon Digital SLR Cameras Review

Tamron AF 17-50mm F/2.8 XR Di-II LD SP ZL Aspherical (IF) Zoom Lens for Canon Digital SLR Cameras Feature

  • 17-50mm aspherical zoom lens with f/2.8 maximum aperture for Canon DSLR cameras
  • Delivers fast shutter speeds and natural soft-focus effect to produce sophisticated results
  • 3 elements of XR glass, 2 hybrid aspherical lens elements, and 1 element of LD glass
  • Minimum focus distance of 10.6 inches; internal coatings eliminate ghosting and flare
  • Measures 2.9 inches in diameter and 3.3 inches long; weighs 15.2 ounces; 6-year warranty


I’m not sure I can add much to the very comprehensive reviews already submitted for this lens. Because there is already so much written about this lens, I’ll try to keep this brief. By and large, I agree with others: this is a solidly built lens, it covers a very convenient “walk-around” focal range for a 1.6x APS-C DSLR, it has most of the features I was looking for, and it has very good optics.

Like many others, I was unwilling to shell out the dough for the comparable Canon model (17-55 IS), which would have cost me about two-and-a-half times more money. I also decided not to pay extra for the Vibration Controlled (VC) model, based on reports that the optical quality of the VC version was inferior. I opted for better sharpness and a lower price-point over the extra 3-stops or so of hand-held shooting that the VC offers (plus, I’ve heard that the VC is a bit loud in operation, but I’ve not tried one).

I’ve had the lens for only a few days, but my initial impressions are very positive. I did a quick comparison between this lens (at 50mm) and the Canon 50mm f/1.8. Wide open, the prime lens was much sharper in the corners, but the Tamron held its own in center sharpness. When the Canon was stopped-down to 2.8 (to equal the Tamron wide-open), the disparity was much more glaring; the Tamron wide-open at 50mm just cannot compete with the sharpness of the prime at f/2.8. But I think the Tamron’s corner sharpness tends to fall off as you move outward in the zoom range, so corner softness seems less of an issue at the wider focal lengths. Stopped down to f/4, the Tamron starts closing the gap, and by f/5.6 or so, I would say the advantage is negligible (though still noticeable if viewed at 100%). My conclusion from this unscientific comparison? This Tamron is excellent glass. For an inexpensive zoom to compete with (even if not surpassing) the sharpness of a notoriously sharp prime lens is impressive (the 50mm 1.8 is pretty sharp, and it is exceptionally so for its price). Yes, corner sharpness lags a bit, but that is to be expected from a zoom that isn’t priced at four digits or above. All things considered, including price, this lens performs very well in the area of sharpness, in my opinion. One other note about this comparison: the Tamron at 50mm was slightly wider than the Canon 50mm. This is neither good nor bad, just noteworthy.

Some other notes: build quality is sturdy. The lens mount is metal, and the barrel is plastic, but the plastic could be mistaken for metal. The lens does not feel cheap or chintzy–you can tell there is plenty of glass in there–but it is reasonably light-weight. It zooms fluidly but not sloppily: there is a good level of resistance in the zoom ring. I was pleasantly surprised with the focusing speed–pretty quick–and accuracy seems very good, too. But, focusing is a bit noisy, with a high-pitch buzz coming from the motor. Definitely not on par, sound wise, with the USM lens I replaced with this (but probably not quite as loud as the Canon 50mm f/1.8). Not a big deal for me, but if you wanted to shoot events with this lens (such as weddings), the focus motor will make it harder to remain inconspicuous.

Some other very minor nits: There is no full-time manual focus, and the focus ring turns during auto-focusing. This is not really a big deal, but I have to be careful not to interfere with the focus ring with my support hand during shooting. The lens is fairly compact, so if you have big hands you may need to train yourself to stay off the focus ring. I really with it featured full-time manual focusing. Also, while the lens is quite compact, it does grow 30-40% or so as it zooms out. There is a zoom lock switch to lock the lens at 17mm during storage. The included hood is a nice touch, but feels a bit cheap.

All in all, bravo to Tamron. I don’t think this is a perfect lens (hence the 4.5 stars), but it is a very practical lens. For its price and its type, it is very sharp. I can’t fault it for the lack of full-time manual focusing, because I knew it lacked that feature when I bought it. This lens is a fantastic and inexpensive alternative is the DSLR “walk-around” zoom class.

Tamron AF 17-50mm F/2.8 XR Di-II LD SP ZL Aspherical (IF) Zoom Lens for Canon Digital SLR Cameras Overview

The SP AF17-50mm F/2.8 is a lightweight, compact, fast standard zoom lens designed exclusively for digital SLR cameras, expanding the product concept of the popular SP AF28-75mm F/2.8 zoom lens. In addition, portrait shots are made beautiful with the natural out-of-focus effect characteristic provided by the fast F/2.8 aperture. Additionally, a broader photographic expression through the use of faster shutter speeds as a result of the maximum aperture offers enhanced photographic pleasure. The lens boasts one of the best close-up shooting performances in the class of fast standard zoom lenses designed exclusively for digital cameras and featuring an F/2.8 maximum aperture throughout the entire zoom range, to ensure stress-free photographic shots at all focal lengths and distances.

Tamron AF 17-50mm F/2.8 XR Di-II LD SP ZL Aspherical (IF) Zoom Lens for Canon Digital SLR Cameras Specifications

The Tamron AF 17-50mm aspherical lens expands on the popularity of the AF 28-75mm f/2.8 XR Di zoom, with a 17mm focal length that offers a wider angle of view than an ordinary standard zoom lens. Designed exclusively for digital SLR cameras with smaller-size imagers (24 x 16mm or smaller), the 17-50mm standard zoom is extremely lightweight and compact for its speed. And with a fast f/2.8 maximum aperture throughout the range, it delivers fast shutter speeds and a natural soft-focus effect that makes your photography even more sophisticated than usual.

Superior image quality
Constructed with cutting-edge Tamron elements–three elements of XR (extra-refractive index) glass, two hybrid aspherical lens elements, and one element of LD glass–this elegant piece of technology inherits Tamron’s tradition of premium image quality and compact size. By incorporating Tamron’s SP (super performance) and Di-II (designed exclusively for digital cameras) specifications, along with special internal surface coatings to eliminate ghosting and flare, you’re guaranteed to get the superior performance you need from your digital camera.

Broadening your horizons
Tamron’s SP AF17-50mm offers a wider angle than the standard 18mm zoom lenses ordinarily used with digital cameras. With a wider-angle focal length of 17mm (26mm equivalent), this lens is unbeatable for indoor photography, and for capturing full-length people shots or an entire building. The lens is also top-level in its class for minimum focus distance at 27cm (10.6 inches) across the entire zoom range, making it easier than ever to enjoy the creative combination of wide-angle and macro photography.

  • Focal length: 17-50mm
  • Maximum aperture: f/2.8
  • Angle of view (diagonal): 78 degrees (at 45 feet) to 31 degrees (11 feet)
  • Lens construction: 16 elements in 13 groups
  • Minimum focus distance: 10.6 inches
  • Maximum mag ratio: 1:4.5
  • Filter size: 67mm
  • Diaphragm blades: 7
  • Minimum aperture: f/32
  • Standard accessory: Flower-shaped hood
  • Compatible mount: Canon AF, Konica Minolta AF-D, and Nikon AF-D
  • Dimensions: 2.9 inches in diameter and 3.3 inches long
  • Weight:15.2 ounces

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Feb 26, 2010 09:10:32

Deluxe Neoprene Black Wide Neck Strap For The Panasonic Lumix DMC-GH1, DMC-G1, DMC-L10 Digital SLR Cameras

Thursday, February 25th, 2010

Deluxe Neoprene Black Wide Neck Strap For The Panasonic Lumix DMC-GH1, DMC-G1, DMC-L10 Digital SLR Cameras Review

Deluxe Neoprene Black Wide Neck Strap For The Panasonic Lumix DMC-GH1, DMC-G1, DMC-L10 Digital SLR Cameras Feature

  • Deluxe Neoprene Black Wide Neck Strap
  • Shock absorbent
  • Durable connectors
  • Leather patch
  • Anti-Skid Fabric

Deluxe Neoprene Black Wide Neck Strap For The Panasonic Lumix DMC-GH1, DMC-G1, DMC-L10 Digital SLR Cameras Overview

Deluxe Neoprene Black Wide Neck Strap For The Panasonic Lumix DMC-GH1, DMC-G1, DMC-L10 Digital SLR Cameras Specifications

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Feb 25, 2010 09:05:26

Ape Case Pro for Digital Slr Cameras Medium Size By: Norazza

Wednesday, February 24th, 2010

Ape Case Pro for Digital Slr Cameras Medium Size By: Norazza Review

Ape Case Pro for Digital Slr Cameras Medium Size By: Norazza Feature

  • Designed to hold SLR, Digital, 35MM, Digital Video Cameras and a wide variety of accessories
  • 15 pockets and compartments including tripod straps
  • Heavily padded & pockets secure closed with zippers
  • Hard bottom with rubber feet
  • Includes deluxe-comfort shoulder strap


This bag is as advertised. After looking around forever trying to find a decent camera bag that wouldn’t cost a couple hundred dollars, I stumbled on the Ape Case bags here on Amazon. I love this bag and the yellow interior. Very easy to customize to fit your needs. Plenty of smaller pockets for some of your miscellaneous accessories. I’m not a huge fan of the buckles on the sides, it seems a little redundant but after some careful consideration about cutting them off, I decided to leave them in case the zipper ever failed. This bag is as good as any of the Lowepro or Tamrac bags that I looked at and you can’t beat the price! My only problem is that I wished that I would’ve went with the bigger bag rather than this one. After some careful consideration about sending it back, I decided to keep it. Even if I went with the bigger of the two, it still wouldn’t take me long to fill it up. I’m planning on buying another one in a couple of months after I pick up a couple more lenses and a few flash units.

Ape Case Pro for Digital Slr Cameras Medium Size By: Norazza Overview

The Ape Case PRO1200 is designed to hold SLR, Digital, 35MM, Digital Video Cameras and a vide variety of accessories. The ACPRO 1200 is designed with multiple compartments that can reconfigure to hold different cameras, lenses and flashes.

Ape Case Pro for Digital Slr Cameras Medium Size By: Norazza Specifications

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Feb 24, 2010 09:00:06

PocketWizard MiniTT1 Radio Transmitter for Canon TTL Flashes and Digital SLR Cameras

Tuesday, February 23rd, 2010

PocketWizard MiniTT1 Radio Transmitter for Canon TTL Flashes and Digital SLR Cameras Review

PocketWizard MiniTT1 Radio Transmitter for Canon TTL Flashes and Digital SLR Cameras Feature

  • Full ETTL II /iTTL Autoflash and Ratio flash and exposure tracking
  • FP/High speed flash synch up to 1/800th sec.
  • Autoflash sequences up to 8 frames per second
  • Triggers flash or cameras
  • Works with all Pocket Wizard 32 channels and zones


Adding: If you want a recommendation on whether to get the Flex and Mini or just 2 flexes, I’d suggest 2 flexes. First, because the flexes use regular batteries. And second because that gives you more options as you add lights and equipment to your set up (since the Mini can only be used on camera and not as a trigger for the flash). I do like owning the mini because it is so tiny and I hardly even notice it is on my camera. But both the Flex and Mini are very low profile and don’t have the ‘get knocked off’ issues that the Plus IIs had.

——

A lot of the early reviews are before updates to download for this product had been made available (or used!). It works fine now. I have a very noisy 580EXII and both the Flex and Mini work fine with it. For me, dependability was about making sure the antenna was never pointed down. If you have any problem with the unit, typically it is because the antenna aren’t parallel or are pointed at the ground. Just move either unit and you’re fine. There are a lot of demonstrations, videos, and FAQ tips on how to really get these to work well.

I’ll give my thoughts and also make comparisons to the Radio Poppers since the Radio Poppers (RP) are the only competitor on the market able to do ETTL type of shooting (ability to shoot at fast shutter speeds). The Elinchrom Sky Ports and the Paul C Buff Cyberlinks will only trigger flashes manually and below the camera’s synch speed - which is very limiting.

I’m not going to go too technical into the specs and descriptions since those are readily available on the net.

Overview

Right off the bat, I LOVE the design improvements over their predecessors, the PW Plus IIs. Both the Mini (a receiver that is tiny and fits on your camera’s hot shoe) and the Flex (can be both a receiver or transceiver) are flat and sleek - they do not stand up or poke out annoyingly like the Plus IIs did. Even better, by incorporating hot shoes and shoe feet directly onto the units, you no longer have to worry about cords or velcro. This is wonderful - no more cords falling out or units falling off the flash. I don’t have to listen to the pocket wizard dangling off a light stand as I move it around. The flash sits directly on the Flex:

If you want to see a video of the new units and how small and easy they are, the PW people have a video on there site - check it out if you want to see these in use.

By having both a shoe and foot on each Flex or Mini, you have the option of using them with other items that also require a hot shoe - such as the ST-E2 or another flash. By using it with the ST-E2 or another flash, you are given the further option of being able to adjust your Flash Exposure Compensation (FEC) at the camera rather than having to walk to a flash. If I were to give my one complaint about the new PWs, it’s that they don’t have that ability built right in to the Flex or Mini units (which I believe the Radio Popper Jr.s do - although the Jr.s cannot do ETTL, only manual like the Plus IIs). But you do NOT need to have the St-E2 or a flash on your camera - the Pocket Wizards work right out of the box with only one flash on a stand. This is a huge plus over the Radio Poppers, which require the extra expense of two flashes or an ST-E2 before they will do ETTL.

The other huge plus about the new Pocket Wizards (and why I feel they are far superior to any other trigger on the market) is that they are a ‘black box’ - they have a brain that can be constantly updated. This means that new features can be downloaded for free as they become available. People are already finding new and interesting ways to use the Flex and Mini and configure them. And as new cameras are added to the Canon lineup, you don’t have to worry about them not working. The Pocket Wizard people were given a stress test when the 5D MII came out and didn’t work well with the new Flex and Mini - but in only a month or so, the team had provided an update to download that fixed the compatability issues. But it should be noted that the design of the 5D models (it’s shutter is nearly the size of the sensor and that causes problems with synching) means they get the least out of the Flex and Mini features. But the Pocket Wizard people have fixed those issues - enough so that the engineers there are fully focused on finalizing the Nikon version and no longer have issues to address with the Canon models. Downloading the updates is easy - just plug the Flex or mini into USB and you’ll have software quickly installed. That software provides all kinds of targeted configuration options that make the most of your particular brand of Canon. I’ll go into specific issues/problems further into this.

Finally, it should be noted that the PWs have a SUPER new feature - Hypersynch. Hypersynch allows you to configure the Flex or Mini to synch beyond the camera’s synch speed - at speeds of 400 or faster. But this isn’t just for Canon flashes - this is ALSO for ALIEN BEES! I know a lot of people bought the Radio Poppers after it was announced that they could do ETTL with the Alien Bees - but that turned out to not be true. The Radio Poppers could synch with a random Alien Bee now and then but it turned out that very few could actually do that. In contrast, the Pocket Wizards DO provide higher speed synching - though not through the full range of shutter speeds. Another huge advantage of Hypersynch is that it does not wear down batteries like ETTL does when synching at high shutter speeds. This gives you twice or even three times the battery life - which is important. Because of that, you can actually set your Flex and Mini to do hypersynching up to a certain shutter speed - and when that limit is reached, it will automatically use high speed synch. SMART!

My Experiences

I went out and gave the new Pocket Wizard Flex and Mini a workout on Thursday. I shot with ETTL and then with manual. I shot with shutter speeds as high as 1/6000 to really see what they could do.

The big surprise was that I really liked shooting ETTL - the trick that was throwing me off was to meter for the background and then underexpose a stop - then I got all that drama I love but still had High Speed Synch (HSS) to add the right touch of fill light. I’d adjust FEC as needed. I started with a FEC of +1-1/2 for two reasons: 1) the umbrella would kill a full stop of flash power and 2) I was a bit closer to the subject than the umbrella and the flash would be metering for that closeness.

I tried synching everything from 300 to 6800 or so shutter speeds and the lighting was soft and even on all the images. The higher the shutter speed, however, the less power out of the flash due to the demands of HSS - which led me to increasing the FEC to a full +2. Clearly, I would not be able to get the drama lighting on a brightly lit day - there’s just no way the 580EXII has enough power when using the high speed synch features (which require continual bursts of the flash at high shutter speeds).

The one big advantage that the Radio Poppers have is that you can adjust the flash output from the unit (hence, the camera). However, the RPs require an St-E2 or Speedlight - and I can easily put the Flex or Mini with one of those and then be able to adjust the power from camera as well. The RPjx has the advantage that although manual only, it allows you to adjust power of your strobe automatically. But then, in manual mode, I’d rather do the adjusting with shutter and aperture anyway so that isn’t a big plus for me. I seriously do NOT want the weight of a 580EXII on camera with a Radio Popper strapped to it. For the same reason, I’m not going out and buying an extra 580EXII just to use my Mini with the 580 in order to adjust the FEC. I can walk to the darn flash stand happy.png

My speedlight attaches directly to the Flex - which has a hotshoe on top - fabulous design!! No more cords to fall out and no more velcro. All I need is the Flex. It’s also very flat and doesn’t stick out annoyingly. No more PW banging against my flash stand or misfiring due to cords falling out.

The Mini is very small - I can put my camera into my bag and leave the Mini on there. It’s just a bit longer than a quarter and a bit fatter.

I really like that the Flex and Mini are updatable and you can change settings with a USB cable. It means that as they get improved, I can just update them - this is really important to me since I want them to be continually compatable as I upgrade in the future.

The Pocket Wizard people developed their own ETTL - they don’t use Canon’s ETTL. This Control-TL, as they call it, has a nifty little extra feature - hypersynch. Hypersynch allows you to synch at speeds up to 600, depending on your camera. With the 5D, that speed is 400. This is important since Hypersynch does NOT use HSS - and therefore it does not drain your batteries as fast and nastily as HSS does. You’ll get 5x the amount of battery life by using hypersynch over HSS. You can configure your Flex or Mini to use hypersynch up to a certain speed and then HSS after that (e.g., hypersynch up to a shutter speed of 400 for the 5D before it tells the camera to use HSS instead).

Also, and more importantly, the Flex and Mini can hypersynch Alien Bees! I’m seeing people Hypersynching up to 800 shutter speeds so the Bees very nearly have ETTL capabilities with this feature. This is ironic considering ETTL with Bees was the selling point with RPs which ended up not being able to perform as advertised. I get my Vagabond converter in the mail soon and I’ll post examples as I try them. I have 3 Bees just waiting for a Vagabond right now. happy.png

What I really found surprising is that I liked using the ETTL and was more consistent with it on exposure than with manual. Huge surprise since I thought Manual just gave me more control for that drama. I used the ETTL as it was intended: fill light and not main light. But they can be used as a main light as well.

Issues/Problems/Rumors

There were a lot of issues with the first release of the Flex and Mini - they do not work as well with the 5D as they do with cameras like the 50D, which has a much larger shutter compared to the size of the sensor. Also, the 580EXIIs are poorly designed and throw out a lot of radio interference. And it’s really random whether a 580EXII will be bad or not - I am one of the unlucky ones who has a really noisy 580EXII and I’ve had to keep my Plus IIs dangling as far away from the flash as possible or they won’t fire. Surprisingly, I haven’t had as much problem with the Flex even though my flash sits right up on top of it. I’ll keep shooting with it though and see if it becomes a problem. The PW people are actually working on a shield and flash holder for the stupid 580EXIIs. It’s a shame that the PW people get a bad rap for a Canon QC issue.

Another issue was that the 5D II came out right after the Flex and Mini - and Canon changed a lot of configurations in that new camera. There were reliability issues that the Pocket Wizard people addressed with downloadable updates and from what I’ve seen on the Flickr groups, the issues are indeed resolved.

Although I had no issues with my tests on Thursday, I have had the Flex for 5 months now and the Mini for just a month. I have had reliability issues with the Flex and read up on the Pocket Wizard site what to do about it. Turns out that I wasn’t watching which way the pop up antenna was pointing and so the Plus II I was using it with wasn’t getting the signal. Basically, I do have to be careful to make sure that the antenna is pointing parallel or away from the second unit - just not right at it or at the ground. This was huge for me - after I started to follow that recommendation, I no longer had reliability issues. But until I read up on that, I was not feeling very confident of my Flex with Plus II combination. I had a LOT of misfires and was frustrated.

So far, I am really happy with my Flex and Mini. One thing I do recommend is that if you don’t mind the bit larger size of the Flex, it might be more useful to have two Flexes rather than a Flex and a Mini. There is only a or so difference between the two.

Choosing a Trigger

Do you need ETTL enough to pay the premium price of 0+ per trigger (you’ll need 2 to do OCF)? It depends on how much you’ll be using them. If you just want to dabble and go out and play with it now and then, then no, I don’t think you need the Radio Popper or Pocket Wizards. Or, ideally, you can get two used Pocket Wizard Plus IIs for much less now that everyone is selling them off. The Plus IIs will give you full manual control and really teach you about light. If you shoot adults or teens, you’ll love the ease of use and versatility of being able to use ETTL.

But for the price of a used Plus II, you can get the Paul C Buff triggers or the Elinchrom Skyports. Those will give you manual but not the range of the PWs (though I doubt you’re going to be using off camera flash from a distance of over 10 feet from the flash unless you do weddings).
Comparison of Flex and Mini to Radio Poppers:

Advantages of Pocket Wizard Flex and Mini:

- attaches securely to camera or flash - no cords, loose parts, velcro, or anything else.
- upgradable: constant updates make it better and better
- hypersynch allows you to maximize flash recycle time and batter power. You can set at what speed the PW goes from Hypersynch to High Speed Synch.
- hypersynch Alien Bees above your camera’s synch speed.
- does not require additional purchase of a second 580EXII flash or an St-E2. It’s Control-TL is built in (though they can be bought and used with the PW if you want to do that)

Advantage of Radio Popper:
- Radio Popper Jrs can adjust the flash output on camera
- more reliable?
- Can be used on Nikon or Canon - not brand specific

Wish List:
- adjust FEC directly on the Flex or Mini unit
- a beep that tells you if the flash fired or not (stupid Canon flashes)

PocketWizard MiniTT1 Radio Transmitter for Canon TTL Flashes and Digital SLR Cameras Overview

The MiniTT1 transmitter is a low-profile unit that slides directly into the camera’s hot shoe. It takes the complex TTL flash data sent through the camera’s hot shoe contacts and transmits it in a secure, unique PocketWizard radio signal. Flash units must be mounted on a FlexTT5 transceiver (ordered sepretaly) for TTL operation or any PocketWizard unit for manual operation. Shoot up to 1/8000 sec. with high-speed flash sync or up to 1/500 sec. with full power flash using exclusive PocketWizard HyperSync. Unique ControlTL system enables shooting remote autoflash at up to 8fps. As all communication takes place through the dedicated hot shoes, there is no need for cables, brackets, Velcro® or tape to use them. The MiniTT1 transmitter can be used for TTL auto flash up to 800 feet* and conventional triggering up to 1200 feet*. The unit feature a two-position channel selector that is factory programmed to the PocketWizard classic channel one and two. Using the included software and USB port, you can program either channel to any of the PocketWizard system’s 32 digitally encoded channels and four zones. A special Learning Mode enables simple, in-the-field programming of all channels. Compatible with the following: Canon DSLR Cameras: 1Ds MKIII, MKII; 1D MKIII; MKII; 1DMKII N; 5D, 5D MKII; 20D, 30D, 40D, 50D; Rebel XT/350D, Rebel XTi/400D, Rebel XS/1000D, Rebel XSi/450D Canon Flash Units: 580EX, 580EXII, 430EX, and 430EXII

PocketWizard MiniTT1 Radio Transmitter for Canon TTL Flashes and Digital SLR Cameras Specifications

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Feb 23, 2010 08:45:13

Opteka Wireless Radio Remote Release for Nikon D90 & D5000 Digital SLR Camera (320′)

Monday, February 22nd, 2010

Opteka Wireless Radio Remote Release for Nikon D90 & D5000 Digital SLR Camera (320′) Review

Opteka Wireless Radio Remote Release for Nikon D90 & D5000 Digital SLR Camera (320′) Feature

  • With the receiver connected to your camera’s remote control socket, you can press the button on the remote control to trigger your camera’s shutter wirelessly!
  • Range up to 100m (320ft.) without obstacles
  • Can activate auto focus, release shutter, activate continuous drive mode or keep the shutter open for bulb photography as well
  • The shutter button can be pressed halfway or all the way.
  • Number of control output channels: 16 channels available


This is a great little addition to the Nikon D90 instead of the IR remotes that have the sensor too far to the front for discreet wildlife photography. Only problem I find with it is the lack of instructions. There were only instructions for installing the battery, duh! Product works great for bulb triggering (after I figured you had to hold the button down until the light blinked off) to hold the shutter open. Also it is very fast triggering. One other minor con is the way it hangs from the wire. I am not really fond of things hanging by the cord but a little velcro to the tripod could solve this. These little cons are the reason I gave it only 4 start, it could easily be a 5!!

Great little product!!

Opteka Wireless Radio Remote Release for Nikon D90 & D5000 Digital SLR Camera (320′) Overview

The Opteka Remote Control Set is a 16 channel Radio Remote for operating digital cameras at distances up to 320ft (100m). The Opteka Remote Control Set consists of two parts: a receiver/trigger that connects to the camera’s cable release socket, and a separate sender. The remote can have a range of up to 100m under optimal conditions, and it features a two-position switch, for focusing operation or shutter release.

Opteka Wireless Radio Remote Release for Nikon D90 & D5000 Digital SLR Camera (320′) Specifications

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Feb 22, 2010 08:40:28

Hoodman H-D40 FlipUp Cap & Hood for Nikon D40 Digital Camera SLR

Sunday, February 21st, 2010

Hoodman H-D40 FlipUp Cap & Hood for Nikon D40 Digital Camera SLR Review

Hoodman H-D40 FlipUp Cap & Hood for Nikon D40 Digital Camera SLR Feature


It easily attaches to the viewfinder and covers LCD monitor snugly and protects it very well from any possible damage to it etc from occurring. The view finder cover fits tightly on viewfinder giving a snug fit. I felt that I lost some viewing site looking through it. I wear glasses and it felt a little uncomfortable but acceptable.

The Hoodman comes with own plastic cover that covers the LCD with a flip up hood which pops open for a clear view. The hood pops open with a cover located above the LCD as well as two doors that pop open to the right and left of LCD enclosing it from high lit times for easy viewing and great visual of LCD. The is a plus for this accessory. Especially on sunny days or back lit rooms and you need to view your shot on the LCD.

The part I did not like was that you had to close the doors/covers to get a good view through the viewfinder and if you are one of those photographers that needs to view each and every shot, you will get frustrated having to open and close the hood. This is for the shooters who shoot and check their shots after they are all done or download it to their PCs etc. and then view. So patience is a virtue for this hood and that is why I gave it a 4 star versus a 5 star. I am a little impatient. That’s my problem and not the hoods. I do recommend this Hood Cover for the Nikon D40 & D40X etc.

Hoodman H-D40 FlipUp Cap & Hood for Nikon D40 Digital Camera SLR Overview

The H-D40 FlipUp cap clips into place by slipping the original Nikon D40 eye piece up and off the camera. Next slide the H-D40 FlipUp cap over the eyepiece mounting flanges to cover the entire LCD screen. The cap provides protection for the delicate LCD screen when in closed position. The cap flips up into a three sided hood for improved outdoor viewing.

Hoodman H-D40 FlipUp Cap & Hood for Nikon D40 Digital Camera SLR Specifications

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Feb 21, 2010 08:35:33

2x Digital Telephoto Professional Series Lens + Lens Adapter Tube (If Needed) + Lenspen + Lens Cap Keeper + DB ROTH Micro Fiber Cloth For The Sony DSLR-A380, A330, A230 Digital SLR Cameras Which Have Any Of These ( 35mm, 28mm ) Sony Lenses

Saturday, February 20th, 2010

2x Digital Telephoto Professional Series Lens + Lens Adapter Tube (If Needed) + Lenspen + Lens Cap Keeper + DB ROTH Micro Fiber Cloth For The Sony DSLR-A380, A330, A230 Digital SLR Cameras Which Have Any Of These ( 35mm, 28mm ) Sony Lenses Review

2x Digital Telephoto Professional Series Lens + Lens Adapter Tube (If Needed) + Lenspen + Lens Cap Keeper + DB ROTH Micro Fiber Cloth For The Sony DSLR-A380, A330, A230 Digital SLR Cameras Which Have Any Of These ( 35mm, 28mm ) Sony Lenses Feature

  • KIT INCLUDES 5 PRODUCTS — with all Manufacturer-supplied Accessories and Full USA Warranties:
  • 2x Digital Telephoto Professional Series Lens
  • Lens Adapter Tube (If Needed)
  • Lens Pen Cleaning System
  • CapKeeper 2 Lens Cap Strap DB ROTH Micro Fiber Cleaning Cloth

2x Digital Telephoto Professional Series Lens + Lens Adapter Tube (If Needed) + Lenspen + Lens Cap Keeper + DB ROTH Micro Fiber Cloth For The Sony DSLR-A380, A330, A230 Digital SLR Cameras Which Have Any Of These ( 35mm, 28mm ) Sony Lenses Overview

Kit Includes:

* 1) 2x Digital Telephoto Professional Series Lens - When your digital camera can’t get you quite close enough to the action, this 2x telephoto accessory lens will bring the action twice as close to you. It’s perfect for all your long-distance photos of sporting events; candid portrait shots, as well as nature and wildlife photography. This is the ideal lens attachment for sports fans, bird watchers, animal lovers, and parents whose kids play sports. In just seconds, you’ll have this attachment on your lens erasing half the distance between the world and your camera. Best of all, these specially designed high quality digital accessory lenses are 100% compatible and fully automatic with your camera’s autofocus and auto-exposure systems, so they’re easy to use.
* 2) Lens Adapter Tube (If Needed) - Some cameras require an adapter tube to fit the filters(Color is black or silver)
* 3) Lens Pen - The perfect cleaning tool safe for all camera lenses, High quality Retractable nonabrasive Lens Brush, Removes fingerprints, smudges, and grease marks
* 4) CapKeeper 2 Lens Cap Strap - The CapKeeper 2 prevents lens cap loss with adhesive-backed disc attached to the cap. Never lose your cap again!
* 5) DB ROTH Micro Fiber Cleaning Cloth - Microfiber Cleaning Cloth - Eliminate dust and smudges from your camera with this handy microfiber cleaning cloth.

2x Digital Telephoto Professional Series Lens + Lens Adapter Tube (If Needed) + Lenspen + Lens Cap Keeper + DB ROTH Micro Fiber Cloth For The Sony DSLR-A380, A330, A230 Digital SLR Cameras Which Have Any Of These ( 35mm, 28mm ) Sony Lenses Specifications

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Feb 20, 2010 08:30:07

Phoenix 650-1300mm Telephoto Zoom Lens with 2x Teleconverter (=650-2600mm) + Deluxe SLR Pro Camera Case + Deluxe Camera Tripod with Carrying Case + 6-Piece Lens Cleaning Kit for Sony Alpha DSLR A100, A200, A230, A300, A330, A350, A380, A500, A550, A700, A850 & A900 Digital SLR Cameras

Friday, February 19th, 2010

Phoenix 650-1300mm Telephoto Zoom Lens with 2x Teleconverter (=650-2600mm) + Deluxe SLR Pro Camera Case + Deluxe Camera Tripod with Carrying Case + 6-Piece Lens Cleaning Kit for Sony Alpha DSLR A100, A200, A230, A300, A330, A350, A380, A500, A550, A700, A850 & A900 Digital SLR Cameras Review

Phoenix 650-1300mm Telephoto Zoom Lens with 2x Teleconverter (=650-2600mm) + Deluxe SLR Pro Camera Case + Deluxe Camera Tripod with Carrying Case + 6-Piece Lens Cleaning Kit for Sony Alpha DSLR A100, A200, A230, A300, A330, A350, A380, A500, A550, A700, A850 & A900 Digital SLR Cameras Feature

  • KIT INCLUDES 7 PRODUCTS — All Brand New Items with all Manufacturer-supplied Accessories + Full USA Warranties:
  • Phoenix 650-1300mm Telephoto Zoom Lens PLUS + Phoenix 2x Teleconverter +
  • Precision Design Deluxe Camera Tripod with Carrying Case +
  • Precision Design Deluxe SLR Pro Camera Case + Precision Design Deluxe 6-Piece Lens Cleaning Kit +
  • Rear Lens Cap + Precision Design T-mount Adapter

Phoenix 650-1300mm Telephoto Zoom Lens with 2x Teleconverter (=650-2600mm) + Deluxe SLR Pro Camera Case + Deluxe Camera Tripod with Carrying Case + 6-Piece Lens Cleaning Kit for Sony Alpha DSLR A100, A200, A230, A300, A330, A350, A380, A500, A550, A700, A850 & A900 Digital SLR Cameras Overview

Kit includes:
♦ 1) Phoenix 650-1300mm Telephoto Zoom Lens
♦ 2) Phoenix 2x Teleconverter
♦ 3) Precision Design Deluxe Camera Tripod with Carrying Case
♦ 4) Precision Design Deluxe SLR Pro Camera Case
♦ 5) Precision Design Deluxe 6-Piece Lens Cleaning Kit
♦ 6) Precision Design T-Mount
♦ 7) Rear Lens Cap

The powerful Phoenix 650-1300mm Super Telephoto Zoom Lens and matched 2x Teleconverter is an ultra powerful 650-2600mm combination that will allow you to capture images magnified up to 52x that of a standard 50mm lens! Computer designed “IF” (Internal Focusing) optics, a convenient feature found typically only in “high end” lenses. With IF utilized, the length of the lens does not change and the front lens element does not rotate permitting more compact, lightweight construction! Aluminum alloy construction provides for a surprisingly lightweight and rugged design that includes a rotating tripod mount, for optimum balance and stability when mounted on a tripod or monopod. A focal length lock is also provided that can maintain your desired magnification. Multi-coated all glass optics and an integrated lens hood combine to maintain maximum contrast with reduced glare and reflections while the included fitted case further enhances the value of this ultra powerful zoom kit. This lens kit includes a T-mount lens adapter which allows this lens to be used with Minolta Maxxum / Sony Alpha mount cameras, as well as a compatible rear lens cap.

Made from durable nylon, and outfitted with a leather reinforced handle, this multi-compartment case will easily hold your camera, lenses, flash, and accessories. Features four padded dividers in the main compartment to secure your equipment, and includes numerous zippered and mesh pockets for smaller items.

Phoenix 650-1300mm Telephoto Zoom Lens with 2x Teleconverter (=650-2600mm) + Deluxe SLR Pro Camera Case + Deluxe Camera Tripod with Carrying Case + 6-Piece Lens Cleaning Kit for Sony Alpha DSLR A100, A200, A230, A300, A330, A350, A380, A500, A550, A700, A850 & A900 Digital SLR Cameras Specifications

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Feb 19, 2010 08:25:32